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recognized as an important milestone, but it was preceded by many recordings from earlier decades in which elements of rock and roll can be clearly discerned.[33][39][40] Other artists with early rock and roll hits included Chuck Berry, Bo Diddley, Fats Domino, Little Richard, Jerry Lee Lewis, and Gene Vincent.[37] Chuck Berry's 1955 classic "Maybellene" in particular features a distorted electric guitar solo with warm overtones created by his small valve amplifier.[41] However, the use of distortion was predated by electric blues guitarists such as Joe Hill Louis,[42] Guitar Slim,[43] Willie Johnson of Howlin' Wolf's band,[44] and Pat Hare; the latter two also made use of distorted power chords in the early 1950s.[45] Also in 1955, Bo Diddley introduced a new beat and unique electric guitar style,[46] heavily influenced by African music and in turn influencing many later artists.[47][48][49] Rockabilly[edit] Main article: Rockabilly A black and white photograph of Elvis Presley standing between two sets of bars Elvis Presley in a promotion shot for Jailhouse Rock in 1957 "Rockabilly" usually (but not exclusively) refers to the type of rock and roll music which was played and recorded in the mid-1950s primarily by white singers such as Elvis Presley, Carl Perkins, Johnny Cash, and Jerry Lee Lewis, who drew mainly on the country roots of the music.[50][51] Many other popular rock and roll singers of the time, such as Fats Domino and Little Richard,[52] came out of the black rhythm and blues tradition, making the music attractive to white audiences, and are not usually classed as "rockabilly". In July 1954, Elvis Presley recorded the regional hit "That's All Right" at Sam Phillips' Sun Studio in Memphis.[53] Three months earlier, on April 12, 1954, Bill Haley & His Comets recorded "Rock Around the Clock". Although only a minor hit when first released, when used in the opening sequence of the movie Blackboard Jungle a year later, it set the rock and roll boom in motion

 

 

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In the 1930s jazz, and particularly swing, both in urban based dance bands and blues-influenced country swing, was among the first music to present African American sounds for a predominantly white audience.[27][29] The 1940s saw the increased use of blaring horns (including saxophones), shouted lyrics and boogie woogie beats in jazz based music. During and immediately after World War II, with shortages of fuel and limitations on audiences and available personnel, large jazz bands were less economical and tended to be replaced by smaller combos, using guitars, bass and drums.[20][30] In the same period, particularly on the West Coast and in the Midwest, the development of jump blues, with its guitar riffs, prominent beats and shouted lyrics, prefigured many later developments.[20] In the documentary film Hail! Hail! Rock 'n' Roll, Keith Richards proposes that Chuck Berry developed his brand of rock and roll, by transposing the familiar two-note lead line of jump blues piano directly to the electric guitar, creating what is instantly recognizable as rock guitar. Similarly, country boogie and Chicago electric blues supplied many of the elements that would be seen as characteristic of rock and roll.[20] Inspired by electric blues, Chuck Berry introduced an aggressive guitar sound to rock and roll, and established the electric guitar as its centrepiece,[31] adapting his rock band instrumentation from the basic blues band instrumentation of a lead guitar, second chord instrument, bass and drums.[32] Rock and roll arrived at a time of considerable technological change, soon after the development of the electric guitar, amplifier and microphone, and the 45 rpm record.[20] There were also changes in the record industry, with the rise of independent labels like Atlantic, Sun and Chess servicing niche audiences and a similar rise of radio stations that played their music.[20] It was the realization that relatively affluent white teenagers were listening to this music that led to the development of what was to be defined as rock and roll as a distinct genre.[20] Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm Because the development of rock and roll was an evolutionary process, no single record can be identified as unambiguously "the first" rock and roll record.[33] Contenders for the title of "first rock and roll record" include Sister Rosetta Tharpe's "Strange Things Happening Everyday" (1944);[34] Goree Carter's "Rock Awhile" (1949);[35] Jimmy Preston's "Rock the Joint" (1949), which was later covered by Bill Haley & His Comets in 1952;[36] "Rocket 88" by Jackie Brenston and his Delta Cats (Ike Turner and his band The Kings of Rhythm), recorded by Sam Phillips for Sun Records in March 1951.[37] In terms of its wide cultural impact across society in the US and elsewhere, Bill Haley's "Rock Around the Clock",[38] recorded in April 1954





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Rock and roll (often written as rock & roll or rock 'n' roll) is a genre of popular music that originated and evolved in the United States during the late 1940s and early 1950s,[1][2] from a combination of African-American genres such as blues, boogie woogie, jump blues, jazz, and gospel music,[3] together with Western swing and country music.[4] Though elements of rock and roll can be heard in blues records from the 1920s[5] and in country records of the 1930s,[4] the genre did not acquire its name until the 1950s.[6][7] "Rock and roll" can refer either to the first wave of music that originated in the US in the 1950s prior to its development into "rock music", or more broadly to rock music and culture.[8] For the purpose of differentiation, this article deals with the first definition. In the earliest rock and roll styles of the late 1940s and early 1950s, either the piano or saxophone was often the lead instrument, but these were generally replaced or supplemented by guitar in the middle to late 1950s.[9] The beat is essentially a blues rhythm with an accentuated backbeat, the latter almost always provided by a snare drum.[10] Classic rock and roll is usually played with one or two electric guitars (one lead, one rhythm), a string bass or (after the mid-1950s) an electric bass guitar, and a drum kit.[9] Beyond simply a musical style, rock and roll, as seen in movies and on television, influenced lifestyles, fashion, attitudes, and language. In addition, rock and roll may have contributed to the civil rights movement because both African-American and white American teens enjoyed the music.[11] It went on to spawn various genres, often without the initially characteristic backbeat, that are now more commonly called simply "rock music" or "rock".

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Dear Professional,

I am pleased to inform you that based on your professional background, you have been selected for inclusion into the Worldwide Association of Female Professionals. Our research department nominates a handful of potential candidates based on factors such as your current professional standing, recent accomplishments, honors/awards, published articles, as well as information present on authoritative media outlets,networks, and professional directories. Based on this, I feel that you would make a fitting addition to our elite network of professional women. As we compile our data from a variety of secondary sources, you must verify your information by completing your application here:

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Dear Professional,

I am pleased to inform you that based on your professional background, you have been selected for inclusion into the Worldwide Association of Female Professionals. Our research department nominates a handful of potential candidates based on factors such as your current professional standing, recent accomplishments, honors/awards, published articles, as well as information present on authoritative media outlets,networks, and professional directories. Based on this, I feel that you would make a fitting addition to our elite network of professional women. As we compile our data from a variety of secondary sources, you must verify your information by completing your application here:

http://reversethink.eu/wlcflzjs/dtytn285gisbradgd/Ai6efBlK0ZI5HdK4g4KWLrDRRQf16mZSMjdYcUIH8bk/ubrshW7KyrwB_GC8rnVzjsoI61QRBNBIfAsN8XKqG72eia-89l1LgP-va_DrTdp71sM0FqWelURkv536edxT3NsavQOoFsWUkhmvfPFMubiQnoez_x6lD2Ihqpx7nZ6Tgg3llojr3iydzC1bL4_pZcCL9-9M_PQEAxfq16bg-I7FLY_cwZy0_o0_kZ_hM0jr

There is no cost to apply or to be included. This month's application deadline is 2/03/16, so it's imperative you finalize your application before this date. If your application is approved, you will be admitted into the Worldwide Association of Female Professionals. Our global network of over 50,000 female professionals is dedicated to empowering women, developing connections, and creating for our members.


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Member Selection Committee Worldwide Association of Female Professionals
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Kabaddi originated in the southern Indian state of Tamil Nadu, where it is derived from group hunting and village defense.[9][10][11][12] Other forms of Kabbadi originated in northern parts of India.[13][14][15] Although the game is a traditional sport in various parts of South Asia, the modern standardized version identifies kabaddi with Maharashtra where the process of standardizing the rules of kabaddi took place during 1915 through to the 1920s.[16][17][18][19] Though variations emerged and rules were framed, the game's principal objective remained unchanged.[20] Modern Kabaddi is therefore a synthesis of the game played in various forms under different names.[21] Kabaddi received international exposure during the 1936 Berlin Olympics, demonstrated by India. The game was introduced in the Indian National Games at Calcutta in 1938. In 1950 the All India Kabaddi Federation (AIKF) came into existence and framed the rules. The AIKF was reconstituted as The Amateur Kabaddi Federation of India (AKFI) in 1972 and the first national tournament for men was held in Chennai.[22] In the international team version of kabaddi, two teams of seven members each occupy opposite halves of a field of 10 m × 13 m in case of men and 8 m × 12 m in case of women.[25] Each has three supplementary players held in reserve. The game is played with 20-minute halves and a five-minute halftime break during which the teams exchange sides. The teams take turns sending a "raider" into the other half. To win a point, the raider must take a breath, run into the opposing half, tag one or more members of the opposite team, then return to his home half before inhaling again.[26] The raider will chant "kabaddi, kabaddi" with his exhaling breath to show the referee he has not inhaled.[26] The raider will be declared "out" and will not gain the point if he inhales before returning to his side, or returns without touching an opponent.[26] The tagged defender(s) will be "out" if they do not succeed in catching the raider who tagged them.[26] Wrestling the Kabaddi was introduced to and popularized in Japan in 1979 by Sundar Ram of India, who toured Japan on behalf of Asian Amateur Kabaddi Federation for two months to introduce the game.[23] In 1979, matches between Bangladesh and India were held across India. The first Asian Kabaddi Championship was held in 1980 and India emerged as champion beating Bangladesh. The other teams in the tournament were Nepal, Malaysia, and Japan. The game was included for the first time in the Asian Games in Beijing in 1990 where seven teams took part.

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